Everyone wants to own beautiful jewelry, but nobody likes wearing a common ornament.  Imagine buying a new exquisite piece of jewelry for a special occasion and finding out that the same item is being worn by several others.  So along with exquisite styles, the demand for uniqueness is also growing.

"I began studying jewelry with Márcio Mattar in 1981. He was one of Brazil's pioneers in jewelry design and taught his students that the creation of the piece was principally a personal expression and that, more than a simple adornment, jewelry was essentially sculpture.

"I worked up to 1986 mainly with jewels in gold, and exhibited my work in renowned art galleries. From 1986 to 1990, with Márcio Mattar, I established an art center, with courses on the creation and execution of jewels along with an art gallery.

"I always strive to create 'clean' designs with organic forms, that is, with nothing geometric but simple, uncluttered curves. At the same time, I developed utilitarian objects in such diverse materials as granite, bronze, crystal and recently, resin. If we put these works side by side – jewelry, glass, photo frames – although their materials are different, we can identify a style and a language.

"From 1998 on, due to Brazil's economic situation it became quite difficult to sell gold jewelry. It became necessary to dedicate myself more to my line of decorative pieces. Resin, which requires the same care as a sculpture, never used immediate forms. I like to create a marble effect, or transparent color; each piece receives individual treatment.